A selection of our favorite works that are currently on view at the Woolwich Contemporary Print Fair in London.

Visiting the Southern California factory where all of our custom Simply Framed orders are are produced, mounted and shipped.

Stopping by Tom Kracauer’s huge new space for Problems Printing in South El Monte, California.

A pair of MassArt Printmaking grads have set up an impressive new space in Somerville's Union Square.

Touring around the printshop of Mirabo Press during our visit to Buffalo, NY.

“The most exciting prints are born of curiosity and an eagerness to dive into the process.” A conversation with Elleree Erdos, Director of Prints and Editions at David Zwirner.

“ The edition process is an opportunity to share ideas with people outside the art community, distributing booklets and brochures that allow me to engage with social and political narratives.”

For those who want to start or build on a contemporary art collection, buying prints can be a wonderful way to have work from prominent artists without the hefty price tag.

Favorite works that are currently on view at the IFPDA fair in New York

“ I enjoy the mystery of the final print, as it does not always reveal all the layers and processes that took place, but still records the journey between the work and the artist.”

“I sought out a method that allows me to use techniques and markmaking of print, but the approach of a painter.”

Artist and academic, Sage Dawson shares a tour of the printmaking studios at Washington University.

Visiting the Brooklyn studio of one of our long-time collaborators.

“I started to realize the possibilities of print as a way of communicating not just graphic information but more nebulous ideas too.”

“I use 3D scanning a lot within my practice to digitize objects as technological artifacts, enabling me to traverse through a digital container on screen and re-translate these movements back into prints.”

A small group of compelling printed works where wilderness is rendered in woodcut, resistance acted out through screenprint and views offered both inwards and outward.

A walk through Little Sparta is to encounter a constant sequence of fluctuations between narrow walkways and open expanses, thresholds between lush darkness and airy light.

“I became attracted to the balance of immediacy and the intervention of the press as a kind of mediator between myself and the plate.”

“Bridging painting and printmaking started with my interest in architectural rubbings. A quick and immediate way to record something and [create] this connection to a place that held layers of history and memory...”

“I enjoy the act of removing the paper from the plate after it has gone through the press…this moment where it bridges over to a rather sculptural work is the moment where it gets interesting for me.”