“ The edition process is an opportunity to share ideas with people outside the art community, distributing booklets and brochures that allow me to engage with social and political narratives.”

“ I enjoy the mystery of the final print, as it does not always reveal all the layers and processes that took place, but still records the journey between the work and the artist.”

“I sought out a method that allows me to use techniques and markmaking of print, but the approach of a painter.”

“I started to realize the possibilities of print as a way of communicating not just graphic information but more nebulous ideas too.”

“I use 3D scanning a lot within my practice to digitize objects as technological artifacts, enabling me to traverse through a digital container on screen and re-translate these movements back into prints.”

“I became attracted to the balance of immediacy and the intervention of the press as a kind of mediator between myself and the plate.”

“Bridging painting and printmaking started with my interest in architectural rubbings. A quick and immediate way to record something and [create] this connection to a place that held layers of history and memory...”

“I like the mediation of the squeegee, and the way that it flattens, unifies, and simplifies…It removes me somewhat as the creator of the image, which feels like a good thing.”

“If I think about the way I work, there is usually some form of system in place, which allows the meeting of materials, images, footage and sound without my direct input…”